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Online Shop - Christian Friends of Israel. Born in Copenhagen, in 1. Intercessors for Denmark which later became part of The International Fellowship of Intercessors (IFI). In 1. 98. 5 Johannes became the international director of IFI and led this global prayer movement until the end of 1. After the death of Gustav Scheller, the founder and leader of Ebenezer Emergency Fund (EEF), Johannes stepped into the leadership of EEF to help facilitate the difficult period of transition. After 2 years of serving EEF, Johannes felt the Lord directing him to resume his original calling to Prophetic Bible teaching and Prayer ministry to Israel - the Body of Christ and to the nations. Johannes Facius, director of the International Fellowship of Intercessors in Germany, has traveled the world for more than thirty years of prophetic Bible teaching. Calle Facius (born 1 January 1971) is a Danish former professional footballer who made 300 appearances in the Superliga for AaB, Ikast FS and Vejle Boldklub. Johannes Facius Website
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ée chez les Yardbirds, fin 1. En 1. 96. 8, il fonde le groupe qui va devenir une des plus importantes formations de l'histoire du rock en compagnie de Robert Plant, John Paul Jones et John Bonham. Avec ses amis Eric Clapton et Jeff Beck, il est consid. ér. é comme l'un des trois meilleurs guitaristes britanniques, et comme l'un des plus influents de l'histoire du rock. Buy Jimmy Page tickets from the official Ticketmaster.com site. Find Jimmy Page tour schedule, concert details, reviews and photos. Rock Magic: Jimmy Page, Led Zeppelin, And a search for the elusive Stairway to Heaven by William Burroughs, Crawdaddy Magazine, June 1975. When I was first asked to. En 2. 00. 5, il est élev. é au grade d'Officier de l'Ordre de l'Empire britannique pour son travail caritatif au Br. ésil. Il re. çoit, en 2. Docteur honoris causa pour son apport à la musique. En 2. 01. 1, le magazine am. éricain Rolling Stone le classe troisi. ème derri. ère Jimi Hendrix (1er) et Eric Clapton (2e) dans le palmar. ès des 1. 00 meilleurs guitaristes rock de tous les temps. Il est tr. ès inspir. é par le blues, le folk, la musique indienne et la musique orientale. Jimmy Page nait en 1. à Heston (Londres), une banlieue ouest de Londres qui forme aujourd'hui le borough londonien de Hounslow. Son p. ère est gestionnaire de personnel dans l’industrie et sa m. ère est la secr. étaire d’un m. édecin. Fils unique, Page d. ém. énage avec sa famille à Epsom, en 1. Il d. ébute la guitare à l’âge de 1. ême s’il suit quelques cours à Kingston upon Thames, acquiert son jeu de fa. çon autodidacte. Ses premi. ères influences sont des guitaristes rockabilly comme Scotty Moore ou James Burton, tous deux musiciens sur les enregistrements d’Elvis Presley, mais aussi Johnny Day qui a jou. é avec les Everly Brothers et Cliff Gallup guitariste de blues de Gene Vincent[1]. La chanson de Presley, Baby Let’s Play House, est l’un de ses morceaux favoris sur sa premi. ère guitare électrique, une Futurama Grazioso de seconde main. Les talents de Page s’étendent également au monde acoustique avec un jeu folk, reprenant des morceaux de Bert Jansch, John Renbourn ou des influences plus blues avec Elmore James et B. B. King. À l’âge de 1. à un t. él. é- crochet sur la BBC, All Your Own, qui pr. ésente des enfants talentueux ou collectionneurs. Il fait une apparition avec un groupe de skiffle, un genre musical populaire à l’époque. Interview. é par le pr. ésentateur, le jeune Jimmy explique qu'il veut devenir « chercheur en biologie »[2]. Jimmy Page quitte l’école à 1. ère musicale et, apr. ès quelques accompagnements du po. ète Royston Ellis et du chanteur Red E. Lewis, il est approch. é par Neil Christian, chanteur du groupe The Crusaders. Page se produit sur sc. ène avec Christian pendant deux ans, puis joue sur plusieurs albums, dont le single de novembre 1. The Road to Love. C’est à cette p. ériode qu'il tombe s. érieusement malade d'une mononucl. éose infectieuse qui l’emp. êche de continuer les concerts. En convalescence, Page d. écide de mettre la musique de c. ôt. é et de se consacrer à son autre passion, la peinture. Il s’inscrit au Sutton Art College de Surrey. Alors qu’il est encore étudiant, Page fait souvent des incursions dans les concerts du Marquee Club, aupr. ès de groupes comme Les All Stars de Cyril Davies ou Blues Incorporated. Il y joue avec de futurs grands guitaristes, Jeff Beck ou Eric Clapton. Un soir, John Gibb de The Silhouettes le remarque et lui demande s’il est pr. êt à l’aider à enregistrer des singles pour EMI, dont The Worrying Kind. Mais c'est l'offre de Mike Leander de Decca Records que Page accepte, et sa premi. ère session pour le label est l’enregistrement de Diamonds par Jet Harris & Tony Meehan, un tube qui devient num. éro 1 en Grande- Bretagne au d. ébut de l’ann. ée 1. 96. 3. Apr. ès quelques br. èves collaborations avec Neil Christian and The Crusaders, Carter- Lewis and The Southerners, avec le groupe de Mike Hurst et Mickey Finn and the Blue Men, Page devient alors guitariste de studio à temps complet, connu sous le surnom de Little Jim, pour éviter la confusion avec Big Jim Sullivan, alias Big Jim. En 1. 96. 4, Page joue sur As Tears Go By[r. éf. n. écessaire] de Marianne Faithfull, sur Tobacco Road[r. éf. n. écessaire] de The Nashville Teens, sur une version alternative de Heart of Stone des Rolling Stones, sur Baby, Please Don't Go, Gloria, Here Comes the Night et plusieurs autres singles de Them & Van Morrison, sur Is it True et What'd I Say par Brenda Lee, ainsi que sur toutes les chansons de Dave Berry entre d. écembre 1. 96. 3 et juin 1. Guitariste pr. éf. ér. é du producteur Shel Talmy, il finit par travailler sur quelques chansons des Who et des Kinks[3]. Il prend part aux enregistrements du premier album des Kinks (il ne joue aucun des solos, malgr. é les rumeurs), ainsi qu'au premier single des Who, I Can't Explain, mais ses parties ne seront pas retenues pour la version finale. Il joue également sur leur morceau Bald Headed Woman. En 1. 96. 5, Page est engag. é par le manager des Rolling Stones, Andrew Loog Oldham, en tant que producteur et A& R - artiste et r. épertoire, charg. é des questions administratives et contractuelles pour les enregistrements - pour le label Immediate Records qu'il vient de cr. éer. Ce nouveau poste lui permet de produire un single de John Mayall et trois albums de Chris Farlowe. Toujours en 1. 96. Eric Clapton sur sept blues instrumentaux qu'il produit pour Immediate. En 1. 96. 6, il joue de l'harmonica sur le 4. Cliff Richard and The Shadows, Time drags by. Page écrit quelques chansons avec Jackie De. Shannon. Il travaille en tant que musicien sur l’album Love Chronicles de Al Stewart en 1. Joe Cocker, With a Little Help from My Friends. Quand il est interrog. é au sujet des chansons sur lesquelles il a jou. é - et plus particuli. èrement celles o. ù son r. ôle est controvers. é - Page d. éclare qu’il lui est difficile de s'en souvenir en raison de la masse de travail lors des enregistrements à l’époque. De plus, les archives des sessions de ces ann. ées ne d. étaillaient pas toujours avec exactitude les interventions de tous les musiciens pr. ésents et certaines maisons de disques ont disparu depuis avec leurs archives. Diverses estimations indiquent qu’il joue sur 5. à 9. 0 % des enregistrements produits en Angleterre entre 1. Mais beaucoup de rumeurs courent qui ne seront jamais v. érifiables, d'autant plus que, pour celles que l'on peut correctement distinguer dans l'accompagnement musical, certaines de ses interventions suppos. ées à la guitare ne sont pas identifiables à l'oreille de mani. ère incontestable. Page figure aussi aux c. ôt. és d'artistes venant d'Europe continentale comme Nico, Michel Polnareff (Page joue sur La Poup. ée qui fait non, sortie au printemps 1. Fran. çoise Hardy[4], Eddy Mitchell (sur What'd I Say en 1. Johnny Hallyday en 1. En 1. 96. 8, John Paul Jones et lui participent à l'enregistrement de The Hurdy Gurdy Man de Donovan[6]. Si Page a jou. é avec un grand nombre de musiciens connus dans les ann. ées 1. 96. 0, une partie de ces premiers morceaux ne sont disponibles que sur des bootlegs, la plupart diffus. és par le fan- club de Led Zeppelin à la fin des ann. ées 1. 97. 0. Parmi ces enregistrements figurent notamment une vieille jam session avec Keith Richards, ainsi qu’une reprise de Little Queen of Spades du bluesman Robert Johnson. À la fin 1. 96. 4, on propose à Page de remplacer Eric Clapton dans The Yardbirds, mais il d. écline l’offre, n'entendant pas l. éser son ami Clapton. En f. évrier 1. 96. Clapton quittant The Yardbirds, Page devient libre d'accepter, mais refuse à nouveau pour ne pas quitter sa carri. ère lucrative dans les studios. Il craint aussi que sa sant. é ne soit affect. ée par les tourn. ées, si bien qu’il propose en lieu et place son ami Jeff Beck pour remplacer Clapton. En 1. 96. 6, Jimmy Page joue un r. ôle secondaire dans le film Blow- Up de Michelangelo Antonioni. Dans une sc. ène, il joue le r. ôle d'un musicien, bien évidemment, avec les autres membres du groupe The Yardbirds[7]. Le 1. 6mai. 19. 66, le batteur Keith Moon, le bassiste John Paul Jones, le clavi. ériste Nicky Hopkins, Jeff Beck et Page enregistrent Beck's Bolero dans les Studios IBC de Londres. Cette exp. érience donne une id. ée à Page qui d. ésire former un groupe avec Beck, John Entwistle et Keith Moon des Who. Le projet est abandonn. é en raison de l’absence d’un chanteur de qualit. é et de conflit avec des engagements contractuels existants. Apr. ès le d. épart d’un autre membre des Yardbirds, le bassiste Paul Samwell- Smith, Page se d. écide à rejoindre la formation en tant que bassiste. Il ne tarde pas à reprendre sa double- guitare pour jouer aux c. ôt. és de Beck, alors que Chris Dreja retourne à la basse. Le potentiel musical du groupe est toutefois troubl. é par des tensions internes caus. ées par les tourn. ées et le manque de succ. ès commercial. Ils ne sortent qu’un single Happenings Ten Years Time Ago. Si Page et Beck jouent ensemble dans les Yardbirds, le trio Page- Clapton- Beck ne joue jamais ensemble en m. ême temps dans ce groupe. Les trois guitaristes se retrouveront plus tard lors d’un concert de charit. é en 1. 98. 3. Beck quitte les Yardbirds qui reste un quartet. Ils enregistrent un album avec Page, Little Games. L’album n’est pas un succ. ès, atteignant p. éniblement la 8. Billboard Music Charts, bien que plut. Jimmy Page - Wikipedia, the free encyclopedia. James Patrick Page, OBE (born 9 January 1. English musician, songwriter, and record producer who achieved international success as the guitarist and founder of the rock band Led Zeppelin. Page began his career as a studio session musician in London and, by the mid- 1. England. He was a member of the Yardbirds from 1. In late 1. 96. 8, he founded Led Zeppelin. Page is widely considered to be one of the greatest and most influential guitarists of all time.[4]Rolling Stone magazine has described Page as "the pontiff of power riffing" and ranked him number 3 in their list of the "1. Greatest Guitarists of All Time". In 2. 01. 0, he was ranked number two in Gibson's list of "Top 5. Guitarists of All Time" and, in 2. Classic Rock's "1. Wildest Guitar Heroes". He was inducted into the Rock and Roll Hall of Fame twice; once as a member of the Yardbirds (1. Led Zeppelin (1. 99. Page has been described by Uncut as "rock's greatest and most mysterious guitar hero." Los Angeles Times magazine voted Jimmy Page the 2nd greatest guitarist of all time. Early life[edit]Page was born to James Patrick Page and Patricia Elizabeth Gaffikin in the west London suburb of Heston on 9 January 1. His father was an industrial personnel manager and his mother, who was of Irish descent, was a doctor's secretary. In 1. 95. 2, they moved to Feltham and then to Miles Road, Epsom in Surrey, which is where Page came across his first guitar. I don't know whether [the guitar] was left behind by the people [in the house] before [us], or whether it was a friend of the family's—nobody seemed to know why it was there."[8] First playing the instrument at age twelve,[9] he took a few lessons in nearby Kingston, but was largely self- taught: When I grew up there weren't many other guitarists .. There was one other guitarist in my school who actually showed me the first chords that I learned and I went on from there. I was bored so I taught myself the guitar from listening to records. So obviously it was a very personal thing.[1. Among Page's early influences were rockabilly guitarists Scotty Moore and James Burton, who both played on recordings made by Elvis Presley.[1. Presley's song "Baby Let's Play House" is cited by Page as being his inspiration to take up the guitar.[1. Although he appeared on BBC1 in 1. Höfner President, Page states that his first guitar was a second- hand 1. Futurama Grazioso, later replaced by a Fender Telecaster.[1. Page's musical tastes included skiffle (a popular English music genre of the time) and acoustic folk playing, and the blues sounds of Elmore James, B. B. King, Otis Rush, Buddy Guy, Freddie King and Hubert Sumlin.[1. Basically, that was the start: a mixture between rock and blues."[1. At 1. 3, Page appeared on Huw Wheldon's All Your Own talent quest programme in a skiffle quartet, one performance of which aired on BBC1 in 1. The group played "Mama Don't Want to Skiffle Anymore" and another American- flavoured song, "In Them Ol' Cottonfields Back Home."[1. When asked by Wheldon what he wanted to do after schooling, Page said, "I want to do biological research" to find a cure for "cancer, if it isn't discovered by then."[1. In an interview with Guitar Player magazine, Page stated that "there was a lot of busking in the early days, but as they say, I had to come to grips with it and it was a good schooling."[1. Page took a guitar to school each day only to have it confiscated and returned to him after class. Although interviewed for a job as a laboratory assistant, he ultimately chose to leave Danetree Secondary School, West Ewell, to pursue music. Page had difficulty finding other musicians with whom he could play on a regular basis. It wasn't as though there was an abundance. I used to play in many groups .. Following stints backing recitals by Beat poet Royston Ellis at the Mermaid Theatre between 1. Red E. Lewis, he was asked by singer Neil Christian to join his band, The Crusaders, after Christian had seen a fifteen- year- old Page playing in a local hall.[1. Page toured with Christian for approximately two years and later played on several of his records, including the 1. The Road to Love."[1. During his stint with Christian, Page fell seriously ill with glandular fever (infectious mononucleosis) and could not continue touring.[1. While recovering, he decided to put his musical career on hold and concentrate on his other love, painting, and enrolled at Sutton Art College in Surrey.[4] As he explained in 1. I was] travelling around all the time in a bus. I did that for two years after I left school, to the point where I was starting to get really good bread. But I was getting ill. So I went back to art college. And that was a total change in direction. That's why I say it's possible to do. As dedicated as I was to playing the guitar, I knew doing it that way was doing me in forever. Every two months I had glandular fever. So for the next 1. I was living on ten dollars a week and getting my strength up. But I was still playing.[9]Early 1. While still a student, Page often performed on stage at The Marquee with bands such as Cyril Davies' All Stars, Alexis Korner's Blues Incorporated and fellow guitarists Jeff Beck and Eric Clapton. He was spotted one night by John Gibb of Brian Howard & the Silhouettes, who asked him to help record some singles for Columbia Graphophone Company, including "The Worrying Kind". Mike Leander of Decca Records first offered Page regular studio work. His first session for the label was the recording "Diamonds" by Jet Harris and Tony Meehan, which went to Number 1 on the singles chart in early 1. After brief stints with Carter- Lewis and the Southerners, Mike Hurst and the Method and Mickey Finn and the Blue Men, Page committed himself to full- time session work. As a session guitarist, he was known as 'Lil' Jim Pea' to prevent confusion with the other noted English session guitarist Big Jim Sullivan. Page was mainly called into sessions as "insurance" in instances when a replacement or second guitarist was required by the recording artist. It was usually myself and a drummer", he explained, "though they never mention the drummer these days, just me .. Anyone needing a guitarist either went to Big Jim [Sullivan] or myself."[1. He stated that "In the initial stages they just said, play what you want, cos at that time I couldn't read music or anything."[2. Page was the favoured session guitarist of record producer Shel Talmy. As a result, he secured session work on songs for The Who and the Kinks.[2. Page is credited with playing acoustic twelve string guitar on two tracks on the Kinks' debut album, "I'm a Lover Not a Fighter" and "I've Been Driving on Bald Mountain",[2. I Gotta Move".[2. He played rhythm guitar on the sessions for The Who's first single "I Can't Explain"[2. Pete Townshend was reluctant to allow Page's contribution on the final recording; Page also played lead guitar on the B- side, "Bald Headed Woman").[2. Page's studio gigs in 1. Marianne Faithfull's "As Tears Go By", The Nashville Teens' "Tobacco Road", The Rolling Stones' "Heart of Stone", Van Morrison & Them's "Baby Please Don't Go", "Mystic Eyes," and "Here Comes the Night", Dave Berry's "The Crying Game" and "My Baby Left Me", Brenda Lee's "Is It True," and Petula Clark's "Downtown". In a 2. 01. 0 interview, Page remembered contributing guitar to the incidental music of The Beatles' 1. A Hard Day’s Night, which was being recorded at Abbey Road Studios.[2. In 1. 96. 5, Page was hired by Stones manager Andrew Loog Oldham to act as house producer and A& R man for the newly formed Immediate Records label, which allowed him to play on and/or produce tracks by John Mayall, Nico, Chris Farlowe, Twice as Much and Clapton. Also in 1. 96. 5, Page produced one of Dana Gillespie's early singles, "Thank You Boy".[2. Page also formed a brief songwriting partnership with then romantic interest Jackie De. Shannon. He composed and recorded songs for the John Williams (not to be confused with the classical guitarist John Williams) album The Maureeny Wishful Album with Big Jim Sullivan. Page worked as session musician on Donovan Leitch's Sunshine Superman and the Johnny Hallyday albums Jeune Homme and Je Suis Né Dans La Rue, the Al Stewart album Love Chronicles and played guitar on five tracks of Joe Cocker's debut album, With a Little Help from My Friends. Over the years since 1. Page played lead guitar on 1. Roy Harper tracks, comprising 8. When questioned about which songs he played on, especially ones where there exists some controversy as to what his exact role was, Page often points out that it is hard to remember exactly what he did given the enormous number of sessions he was playing at the time.[2. In a radio interview he explained that "I was doing three sessions a day, fifteen sessions a week. Sometimes I would be playing with a group, sometimes I could be doing film music, it could be a folk session .. I was able to fit all these different roles."[1. Although Page recorded with many notable musicians, a lot of these early tracks are only available as bootleg recordings, several of which were released by the Led Zeppelin fan club in the late 1. One of the rarest of these is the early jam session featuring Jimmy Page and Stones guitarist Keith Richards covering Robert Johnson's "Little Queen of Spades". Several early tracks with Page were compiled on the twin album release, Jimmy Page: Session Man. 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